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Formerly the frontman of dirty-boogie outfit the James Gang and an eccentric, hard-rockin’ solo artist in his own right, Walsh immediately puts his stamp on the band with the opening “Hotel California,” where he and six-string wingman Don Felder added the exclamation point to Don Henley’s eerie, enigmatic narrative with one of the most dramatic, finger-aching guitar solos in the rock canon. That swagger spills over into the brontosaurus stomp of “Victim of Love” (the closest this band ever got to heavy metal) and the disco-fied “Life in the Fast Lane,” an account of Hollywood hedonism as alluringly decadent as a penthouse masquerade ball with an open bar.
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